Artist Nathwell Tate was born in 1928 in Union Beach, New Jersey. On January 8 1960 he contrived to round up and burn almost his entire output of Abstract Expressionism. Four days later he killed himself. This book offers an account of Tate’s life and work which can be seen either as straight art biography or as fiction. It is an investigation of the blurry line between the invented and the authentic, the wholly false and the utterly real.
A producer. A novelist. An actress.
It is summer in 1968, the year of the assassinations of Martin Luther King and Robert Kennedy. While the world is reeling our trio is involved in making a rackety Swingin’ Sixties British movie in sunny Brighton. All are leading secret lives.
As the film is shot, with its usual drastic ups and downs, so does our trio’s private, secret world begin to take over their public one. Pressures build inexorably – someone’s going to crack. Or maybe they all will.
From one of Britain’s bestselling and best loved writers comes an exhilarating, tender novel that asks the vital questions: what makes life worth living? And what do you do if you find it isn’t?
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Henderson Dores is an Englishman in New York – and completely out of his depth.
He should be concentrating on his job as an art assessor, but his complicated personal life keeps intruding. And that’s before we even get to his sense of alienation, of being a fish out of water. For Henderson is a shy man lost in a country of extraverts and weirdos. Subway poets, loony millionaires, Bible-bashers and sharp-suited hoods stalk him wherever he goes. But it is only when he’s sent to America’s deep South to examine a rare collection of paintings that matters take a life-threatening turn. Still, if it doesn’t kill you, they say it can only make you stronger . . .
A thrilling, plot-twisting novel from the author of the Richard & Judy bestseller Restless, winner of the Costa Novel of the Year
What is the devastating effect on your life when, through no fault of your own, you lose everything — home, family, friends, job, reputation, passport, money, credit cards, mobile phone — and you can never get them back? This is what happens to a young man called Adam Kindred, one May evening in Chelsea, London, when a freakish series of malign accidents and a split-second decision turns his life upside down for ever.
The police are searching for him. There is a reward for his capture. A hired
killer is stalking him. He is alone and anonymous in the huge, pitiless modern city. Adam has nowhere to go but down — underground. He decides to join that vast army of the disappeared and the missing that throng the lowest level of London’s population as he tries to figure out what to do with his life and struggles to understand the forces that have made it unravel so spectacularly. His quest will take him all along the River Thames, from affluent Chelsea to the sink estates of the East End, and on the way he encounters all manner of London’s denizens — aristocrats, prostitutes, priests and policewomen amongst them — and version after new version of himself.
Ordinary Thunderstorms, William Boyd’s electric follow-up to Costa Novel of the Year Restless is a heart-in-mouth conspiracy novel about the fragility of social identity, the scandal of big business, and the secrets that lie hidden in the filthy underbelly of every city.
Spanning three continents, Bond’s new mission takes an unexpected turn whilst in Africa, forcing him to go ‘solo’ on a trip to America. Boyd comments on his choice of title: ‘In my novel, events conspire to make Bond go off on a self-appointed mission of his own, unannounced and without any authorization – and he’s fully prepared to take the consequences of his audacity.’
In Solo, Boyd returns to classic, literary Bond: James Bond the human being, not James Bond the superagent. Whilst naturally there will be cocktails, cars and women, Boyd will reveal the man behind the icon, from his emotions, quirks and flaws, to his sartorial taste.
All things pass – is this your philosophy? Is there no room for love in your philosophy of life?
The first play by bestselling author William Boyd, Longing adapts two of Anton Chekhov’s short stories, A Visit to Friends and My Life, to weave a comic tale, at once exotic and familiar.
When Kolia is invited to visit his oldest friends on their Estate in the country he anticipates a pleasant break from Moscow life. But as the comedy of provincial life plays out around him, he finds himself adrift in a miasma of false expectations, missed opportunities, and unspoken passions.
Adaptations of the work of classic Russian playwright Chekhov always have a lasting appeal beyond the life of the production. Drawn from these two short stories, Longing is unique in being a dramatic exploration of a work of Chekhov’s fiction, not simply a new adaptation of one of his plays.
A philandering art dealer tries to give up casual love affairs – seeking only passionate kisses as a substitute. A man recounts his personal history through the things he has stolen from others throughout his life. A couple chart the journey of their five year relationship backwards, from awkward reunion to lovelorn first encounter. And, at the heart of the book, a 24-year old young woman, Bethany Mellmoth, embarks on a year-long journey of wishful and tentative self-discovery.
The Dreams of Bethany Mellmoth depicts the random encounters that bring the past bubbling to the surface; the impulsive decisions that irrevocably shape a life; and the endless hesitations and loss-of-nerve that wickedly complicate it. These funny, surprising and moving stories are a resounding confirmation of Boyd’s powers as one of our most original and compelling storytellers.